Self-Portrait as a Tahitian (1934) by Amrita Sher-Gil Framed or Unframed:Standard Frame Smithsonian librarian Frank Phister
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Self-Portrait as a Tahitian (1934) by Amrita Sher-Gil Framed or Unframed:Standard Frame Smithsonian librarian Frank PhisterPainted in Paris in 1934, Self Portrait as a Tahitian is Amrita Sher Gils answer to Gauguins exoticised women, but with the gaze reversed. Sher Gil is her own sitter, muse and author. The shadowy male figure behind her suggests the weight of male modernism, yet she remains composed, bare and in command. As a bisexual, mixed heritage artist moving between Europe and India, Sher Gil turns the nude into an act of authorship: sensual, political and
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