Iyabo of Wamba Serigraph We both agree on its

We both agree on its urban beauty andhistorical meritfor the Mexican migration and experience

This structure could represent a house that is being moved out or in

I get some really interesting effects that come from painting

and the first science fiction magazine in America

The works produced at Brandywine [Workshop and Archives

Iyabo of Wamba Serigraph We both agree on itsFrom the Artist To see is to know. But how can we know the unseenthe histories, the stories, or the names of a people that were undocumented or erased? I asked myself that question late one evening as I looked at the sun setting behind the hills on the Bay of Portobelo on the Caribbean coast of Panama. The view from my studio faces the ruins of a dock that was, at one time, the first encounter with Tierra Firme for many weary, shackled, and enslaved