Visual Rhetoric in Early Buddhist Art of India Gita Publishing House Concept of the Absolute and

Concept of the Absolute and its alternation

Nowhere else can we get such an immense wealth of information on the social and cultural milieu during the reign of this monarch

as a particular existent

Hence he had denied to sell / propagate his commentary without this 'Introduction'

" This observation of the late Professor Stcherbatsky made in 1927 (The Conception of Buddhist Nirvana

Visual Rhetoric in Early Buddhist Art of India Gita Publishing House Concept of the Absolute andAbout the Book Visual rhetoric in Early Buddhist Art of India Critically Examines the Rhetorical Strategies embedded in early buddhist visual culture, with a focus on Representation, Materiality, and power Analyzing artefacts From major archeological sites such as Sanchi, Bharhut and Amravati, the study employs a Multidisciplinary Framework that combines visual rhetoric Semiotics and Communication theory. It explores how visual forms articulated