A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Curios These chairs are of the

These chairs are of the highest quality and it is probable that they were made by Jennens and Bettridge aka Aaron Jennens and T

tapering reeded and substantially well turned legs and double central stretchers

proving a highly scarce and desirable decorative clock

The dramatic scene of the racing charioteers was reproduced on a frontispiece that was four panels high and the traditional ark figures were replaced by horses

A bizarre and slightly intimidating machine by today's standards

A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Curios These chairs are of theOrigin: English Period: Mid Victorian Provenance: Unknown Date: c. 1876 The Engravings: 47. 5 x 16. 25 The Wholes: 53 x 21. 25 The very large pair of line engravings of a military theme, in their original gilt and gesso frames with nineteenth century glass, published by The Art Union in 1876, after the 1868 original wall paintings by Daniel Maclise in the Royal Gallery at the Palace of Westminster. The engravings are in very decorative and unrestored