DNA #5: Skin and Code no oversell and emotional intensity

and emotional intensity

But the black and white filter is also a tool that allows Schmidt to neutralise the world

Lilian Steiner and Jo White – the book is just another iteration of The Design Plot’s ongoing process and self-interpretation

These three exemplary projects by American artist Trevor Paglen – The Last Pictures (2012)

self published (Melbourne)

DNA #5: Skin and Code no oversell and emotional intensityJust as physical violence leaves its marks on the skin, conceptual violence is written into interfaces via algorithmsin the form of biases turned into pixels, as discrimination implanted in memes in secret chat groups. The coding and decoding of body surfaces and interfaces is contingent on a whole host of norms. Yet these are not fixed: rather, they combine to create a matrix of tastes, cultural influences, technical conditions, and physical